Yes, that seems very plausible.
Stanley Kubrick : 7/20/1969 Moon "Landing" Hoax : 2001: A Space Odyssey (early release 1968)
Oliver Stone : 9/11/2001 World Trade Center "Attack" Hoax : World Trade Center (delayed release 2006)
Both men are known for doing extensive research of their subject matter. I would not be at all surprised to learn that the Hollywood director Mr. Stone and his producers were fraternizing with some of those we see in the "Naudets" 9|11 film (2002) and making arrangements between themselves and the firefighter-actors, not to mention non-firefighter actors. We can also safely conclude mobster movie actors Nicholas Cage, Robert DeNiro, Billy Crystal and Steve Buscemi were all heavily interested in these roles.
Seems like a real bunch of strange chuckleheads that take their own lies they tell themselves too seriously made 9/11. I wonder if any of them suspect they have been completely used by false intelligence made by enemies within our own government. I am told actors and directors often get so involved in their roles and so caught up in their own fame and perceived importance that they lose interest in reality. They trip on "creating" and "reflecting" reality, and hence cannot distinguish themselves from it — i.e.; their role as a human being in society vs. the society itself. That is to say, they power trip like crazy over their control of society, they don't believe they have a responsibility to maintain clear delineation between their lies and their stances, or have conveniently decided that they've lost the power to, so they can be rewarded by the mob system they are in. This means that Hollywood might truly be run by a criminally insane "likeness" prostitution ring which sells and trades samples of reality to the highest bidder, who are in turn corralled by the military framework whenever someone in the system learns that their tiny self-invented "problems" are the ones they give themselves over to because of their greed. The producers of simulacrum are the actors, and the remixers and arrangers are the directors and producers, and they spread their mental disorder to the public via the consumerist theater complex. If so, it would not be a very large step, from their perspective, to cut out the middle man and work directly for the military for a period of time. Maybe it makes them feel like they can tell each other, "Look, we really did something. We tried! See? We are just so hampered by society. Woe is us." before snuggling back up to the teat of the Great Beast of Los Angeles or living in their multiple, million-dollar homes in feigned seclusion.
I suppose by Stone, Cage, DeNiro, Buscemi, Crystal and others trying to get close to the military framework it hints they have some kind of subconscious desire to "wake up" or address the dilemma they are in, but by remaining so publicly silent on their roles in the problem, they have no real intention of actually doing so, actually waking up their audience or their own selves, or working small steps toward a solution. I imagine they are too comfortable and/or in a bizarre situation that makes it difficult for them to imagine just how easy it would be for them to band together and expose what happens there. Wag the Dog (1997) may have been some kind of earnest attempt by someone, but it seems we could use an updated version like it to snap people out of the technofascist path we find ourselves sleepwalking down, if that's what it takes for our spoiled American imaginations to get seduced back to the real world. What a shame people are just not curious about the world they live in. Do you think Hollywood has abused people's fright of their own power to create a more beautiful real world? It seems humbleness has gone a very dark way.